One Name Is All Kiawentiio Needs
The mononymic Mohawk actress stars in the highly anticipated new adaptation of “Avatar: The Last Airbender,” one of Netflix’s most expensive series ever. It’s a role she’s been preparing for almost her entire life.
- Interview: Adam Piron
- Photography: Sandy Kim
At first, it’s a ripple. Hovering drops rising from a puddle soon cluster into a faster-moving, levitating stream that swirls into an orb of water floating over a young woman. The focused motion of her hands control this aquatic flow. In the lore of the beloved animated series Avatar: The Last Airbender, the ability to manipulate the elements is known as “bending” and wielding this power is Katara, a fan-favorite of the franchise’s core characters. In this instance, she’s no longer animated, but rather living and breathing in Netflix’s recent adaptation of the cult show, as played by Kiawentiio, the 17-year-old actress and singer-songwriter from the Mohawk Nation at Akwesasne. For young Indigenous audiences, it’s a powerful moment seeing what was always an Indigenous-coded character, dynamic and independent, brought to life by an Indigenous actor. Her interpretation of the heroine is both true to its source material and grounded in an undeniable sense of Indigeneity, notable in the scenes of Katara’s survival of the violence inflicted upon her tribe and their later resistance to its recurrence. Free from the confines of Western film tropes or the expected relegation to secondary and background roles, Kiawentiio’s Katara is unprecedented. She’s both of this world and beyond. A sign of things to come.
Kiawentiio wears Miaou T-shirt, sacai skirt, Wales Bonner skirt, Maison Margiela shoes and Waverli Thompson earrings. Top Image: Kiawentiio wears Chopova Lowena dress.
Kiawentiio wears MSGM dress, Chopova Lowena skirt, Chopova Lowena pants and Karen Francis necklace.
There’s a balletic velocity to Kiawentiio when she arrives at her photo shoot, a certain sense of purpose and the pull of a trajectory toward something just off of the horizon. She’s traveling with her mother Barbara, who works in their community’s cultural restoration efforts, and her father Corey, a volunteer firefighter and building inspector for their tribe. They beam with pride as they watch her and recount the recent stops she’s had on the show’s busy press tour. In the dressing room, she smiles while reviewing pieces she requested from Indigenous designers Josh Tafoya and Karen Francis. It’s like witnessing someone coming into alignment, a new possibility realized. She says, “It feels like it’s not real, to be honest. Sometimes it feels like I’m living this fantasy life or living someone else’s life, especially with where I come from.”
“Sometimes it feels like I’m living this fantasy life or living someone else’s life, especially with where I come from.”
The evening prior, Kiawentiio walked the red carpet for Avatar’s Los Angeles premiere in a stunning ensemble, also fashioned by Indigenous designers: an ice-blue duo chrome taffeta skirt by Evan Ducharme, accented by a hand-beaded corset from Tasha Marie, and jewelry by BYCHARI and Dean Davidson. The look, both in color and from the corset’s beaded wave design, is a subtle nod to Katara’s Southern Water Tribe in the show. Kiawentiio grew up watching the original series, which makes this all the more surreal. “For filming, we were in British Columbia for almost a year and stepping out of that was really kind of like a culture shock,” she explains.
It’s not lost on her that this is her moment, one that she’s balanced with both grace and aplomb, but also a time to reflect on all that’s led her to this point. From her beginnings as a guest star a mere five years ago on the Canadian series Anne With an E, to playing the title character in Tracey Deer’s debut feature Beans in 2020, and more recently appearing in Peacock’s Rutherford Falls and Marvel’s What If…?, Kiawentiio’s career has been nothing short of meteoric. In many ways it mirrors the creative boom of Indigenous-led and centered television in the last half-decade. That a young, Indigenous actor is now one of the leads in a $120 million Netflix production—one of its most expensive to date—that also happens to be an adaptation of what is considered to be one of the best animated series of all time, is as much of a cultural tipping point as it is an expectation rewriting itself. And Kiawentiio is at its precipice.
Over the phone, Kiawentiio discussed this moment and what it means to her.
Kiawentiio wears Bode jacket, Chopova Lowena dress and Littletree Wampum earrings.
Adam Piron
Kiawentiio
How did you connect with the Indigenous designers you’ve chosen to work with recently?
One of the looks was Josh Tafoya, a fashion designer out of New Mexico. I actually got to meet him, I think it was two years ago now. He also works closely with 4Kinship, which is also a really cool Indigenous vintage brand. For the red carpet, I got to work with two Indigenous designers to custom-make this very beautiful gown. Tasha Marie Designs was the designer that beaded my corset and Evan Ducharme made my skirt, and they both just came together so beautifully. I love how it turned out, truly.
Does anyone in your family do beadwork? Is it something that you grew up around?
Yeah, my mom beads. She doesn’t sell any of her work, which she should. My sister also beads. I grew up beading here and there, but it was never something that I continued. I think out of all my creative outlets, it got the short end.
My mom does some beadwork too, so I know it’s super meticulous. How do you approach style outside of professional spaces, like the red carpet? What are you drawn to?
I feel like my style has been changing a little recently. I like really baggy pants. I haven’t really worn jeans in a while, but I wanted to up my whole closet recently. I’ve been wanting to get more color because I tend to lean on black a lot and earth tones in general. It also depends on what time of year, ’cause sometimes in the summer I like giving off that skateresque vibe.
I like a lot of men’s fashion too. I’ll have long shorts that are past my knees and huge T-shirts on and be like why do I look like a boy? Oh, I’m dressed like this. Doing a lot of this press and having this part of my life really lets me tap into my feminine side.
You grew up in Akwesasne?
Mm-hmm.
When you’re on set and you’re in front of the camera, how do you become this character that you grew up with?
It was honestly really crazy, like that first time we had that transition. Growing up, seeing this character all of the time and idolizing this character almost, and then to have that transformation and look in the mirror and see yourself as that person. It’s like whoa, whoa, whoa. But honestly, Katara and I have a lot of similarities in our personalities. And I feel like it’s kind of a double-edged sword in that it becomes easy to become them. But because there are some similarities, it’s hard to differentiate yourself from the character and keep those things separate.
Were you able to draw on or tie some of your own Mohawk roots? It was great talking to your parents too and hearing about the impact of their own work, your mom’s work in cultural restoration and your dad’s work with your tribe. I’m curious if any of that went into how you shaped this role, especially because Katara is a very Indigenous-coded character.
I think with my Mohawk roots and what my parents have done my whole life, I feel like it has shaped me as a person. With that, I can’t help but take that to every role that I play in the past and in the future, too. So, I feel like my Kanienʼkehá:ka roots will always be there with me in every character that I have the pleasure to portray. I haven’t said this before, but really, I truly do owe everything that I have to my mom and my dad.
What was some of your preparation for this role?
We binged the original show. I think I watched it twice and then went into specific scenes for Katara’s character and her mindset, and then also her bending. Every time we had a fight or we wanted to re-create something from the animated show, we were watching clips of Katara’s bending and that also was really helpful for me.
“My Kanienʼkehá:ka roots will always be there with me in every character that I have the pleasure to portray.”
Kiawentiio wears Ottolinger dress, Rombaut flats and Faris earrings.
Kiawentiio wears VAQUERA vest and Miaou T-shirt.
Kiawentiio wears Acne Studios polo, Dries Van Noten skirt, JW Anderson skirt, Dries Van Noten boots, Karen Francis earrings and Lee Charley Jr ring.
What’s it like being a young actor now in the age of TikTok and social media?
I think it’s a delicate balance. I feel like in this age, it’s really easy to get caught up in what people are saying, good or bad. Because it’s just so accessible. It’s really important to be able to protect yourself from that. With the show dropping, I will have to find ways to protect myself from the outside and what they are saying, even though I have this sense of wanting to look, wanting to know what the public thinks. That’s how I’ve been this whole time leading up to the show coming out. I want to be and I try to be an open-minded person. So, with what people are saying, I like to look at it just plainly, not trying to hurt my own feelings or anyone’s feelings. I like to have this information and [take] it as a learning type of thing.
With the show dropping and how massive the scale is, there is going to be so many opinions, so many thoughts. So, I feel like it’ll be OK if I just kind of let this one go for a while and revisit when I’m in a more stable place.
I think that’s healthy. On the flip side, for somebody coming up in your generation, specifically somebody Indigenous working in this industry, what’s it like to watch actors like Lily Gladstone or Kawennáhere Devery Jacobs lead the way?
It’s so beautiful. It’s beautiful to see all these amazing strong Indigenous actors. A lot of our stories have been trying to break through for a long time. To now be able to see it in multiple people that come to mind immediately with Reservation Dogs, Killers of the Flower Moon, and Echo, all of these things are so amazing to be able to see in the industry. It’s come so far even from when I was little.
I think one of the main reasons that I was drawn to Avatar: The Last Airbender growing up was being able to have a strong brown role model in Katara. She was one of not many. I think representation, even in that time, was so scarce and rare. So, to be able to carry the torch that’s been passed down for a long time now and be able to light multiple fires and lead the way for the generations coming is so important. I am truly blessed to be alongside all these incredible Indigenous actors leading the way.
Has there been a particular performance by another actor that’s had an effect on you like that? Somebody that you saw growing up, or are even watching right now that’s a model for your career?
The only person that I could think of is Zendaya. I grew up watching her on K.C. Undercover and Shake It Up, when she was just a kid star on Disney. Another thing that is so inspiring to me is her fashion sense. I love how she doesn’t always step out to all these different events. But when she does, everyone knows it and she’s making a statement. It’s just really inspiring to me, her fashion sense and her choices. Also, to have a single name that’s different from what you always hear is also something that we relate to and is inspiring to me.
What is it like having this be something of a new normal for a Native actor where you’re not necessarily just relegated to these roles in westerns? That’s something that people have been dreaming of. It seems like it’s a totally open future now too. What does that feel like?
It feels so surreal. Honestly, sometimes I get the sense of guilt. There are so many people that fight for the same spot. Sometimes, I have to remind myself how hard I’ve worked for things because it sometimes can feel like maybe someone else deserved this. You know that type of feeling?
But I’m lucky enough to have an amazing support group. To be able to be in this position that I’m in now is so incredible. Something that my dad always told me that we’re always where we’re supposed to be. I think that’s something if I had the chance to tell other Indigenous people, or just people in general, especially with actors and acting—you’re always where you’re supposed to be. If you didn’t get this job, it was for this reason. If you feel like you really wanted this thing but it didn’t end up happening, it was because this thing was waiting for you. And I feel like a lot of times, fate works in really funny ways. Of course, I was auditioning for so many things before Avatar happened. I just can’t imagine if I had landed a different role and then wasn’t able to go out for this. So, it’s so funny how the universe works in crazy ways to make things align perfectly.
Kiawentiio wears Josh Tafoya dress, Marine Serre skirt and Acne Studios boots.
- Interview: Adam Piron
- Photography: Sandy Kim
- Styling: Kat Typaldos
- Creative Direction: Michael Quinn
- Casting: Greg Krelenstein / gk-ld
- Hair: Tisha Thompson
- Makeup: Jasmin Stephen / Factory Downtown
- Set Design: Cody Rogers
- Photography Assistants: Joshua Elan, Mark Nakagawa
- Styling Assistant: Savannah Tyson-Yarbrough
- Set Design Assistant: Nikki Kauten
- Production: The Morrison Group
- Production Manager: Alaura Wong
- Production Assistant: Frankie Benkovic
- Location: NYA Studios
- Date: March 8, 2024
